The philosophy of art conservation is a constantly evolving field; we explored it with the Pinacoteca di Brera, Open Care, and the Opificio delle Pietre Dure, to discover how rapidly the process of change is accelerating.
di Guido Furbesco
Born in 1866 in Intra on Lake Maggiore, Paul Troubetzkoy grew up among aristocratic villas, artists, and musicians. The painter Daniele Ranzoni played a decisive role in his artistic formation, introducing him to the Milanese Scapigliatura, which shaped his sculptural language in a distinctly anti-academic direction.
di Omar Cucciniello*
A meeting with Toto Bergamo Rossi, director of Venetian Heritage, who is reshaping the rules of Italian cultural philanthropy.
di Marta Galli
One of the two angels mentioned by Antonio Canova’s biographer, Iseppo Falier, has been found. The sculptor was only thirteen years old.
di Giuseppe Sava
With Boccaccio Boccaccino, a reflection on the virtuous nature of the market when it intersects with museum conservation and acquisition policies.
di Francesco Ceretti
Can we consider Christian Levett a serial collector? Probably yes, according to what he told us about himself.
di Elena Caslini
The first antique fair to take place in a public museum is a story of balance and form, marking the beginning of a new partnership.
di Antonio Pepe
Art + Collecting in Rome opens on September 18. The first art fair with VAT at 5& takes place in a public museum. Future is now.
di Bruno Botticelli
US tariffs on antiques are a concern, but nothing changes for works of art. And shippers are confident that a solution will be found before July 9.
di Stefano Pirovano
Women antique dealers, blending innovation and female leadership, at the forefront of a sector that is slowly evolving.
di Elena Caslini
Online antique marketplaces have been steadily growing since 2019, and they may soon accelerate their growth, empowered by the AI.
di Luna Passarella
Paolo Zani has collected 18th century art like no one else in Italy, to give his Foundation a cultural heritage, more than a material legacy.
di Stefano Pirovano
We asked the AAI galleries participating in TEFAF 2025 to introduce us to the art of designing a stand, to discover where museography and the market intersect.
di Antonio Pepe
